It's been too long since any album proper from the ‘songbird of Wassoulou’. Although the compilation Oumou (2004) included previously unreleased material, (mostly cherry-picked from her Mali-only 2001 release Laban, and reworked), her last internationally promoted record was Worotan in 1996. Thankfully Seya doesn't disappoint – it's the best thing since her marvellous 1991 debut Moussoulou, which is one of the all time great treasures of Malian music. Seya traverses a wide range of moods, from confident and celebratory to more austere, stripped down meditations. And while few artists give as good a groove as Oumou, the latter are often the best settings to appreciate her extraordinary voice; if Aretha Franklin had grown up in Bamako, she might have sounded something like this.February 28, 2009
Oumou Sangare - Seya
Aah... BBC updates about a new album, Seya by Oumou Sangare, the Malian "song bird"
It's been too long since any album proper from the ‘songbird of Wassoulou’. Although the compilation Oumou (2004) included previously unreleased material, (mostly cherry-picked from her Mali-only 2001 release Laban, and reworked), her last internationally promoted record was Worotan in 1996. Thankfully Seya doesn't disappoint – it's the best thing since her marvellous 1991 debut Moussoulou, which is one of the all time great treasures of Malian music. Seya traverses a wide range of moods, from confident and celebratory to more austere, stripped down meditations. And while few artists give as good a groove as Oumou, the latter are often the best settings to appreciate her extraordinary voice; if Aretha Franklin had grown up in Bamako, she might have sounded something like this.
It's been too long since any album proper from the ‘songbird of Wassoulou’. Although the compilation Oumou (2004) included previously unreleased material, (mostly cherry-picked from her Mali-only 2001 release Laban, and reworked), her last internationally promoted record was Worotan in 1996. Thankfully Seya doesn't disappoint – it's the best thing since her marvellous 1991 debut Moussoulou, which is one of the all time great treasures of Malian music. Seya traverses a wide range of moods, from confident and celebratory to more austere, stripped down meditations. And while few artists give as good a groove as Oumou, the latter are often the best settings to appreciate her extraordinary voice; if Aretha Franklin had grown up in Bamako, she might have sounded something like this.
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