October 8, 2010

Every dog has its day - 3

But this day was not this dog's!

Workers from the Municipal Corporation of Delhi capture a stray dog near the Indira Gandhi Stadium, one of the venues for the Commonwealth Games


October 6, 2010

Putting the night away

I am really enjoying reading the book, Poetry In Person: Twenty-five Years of Conversation with America's Poets, ed. by Alexander Neubauer. The book contains many "sparkling exchanges" about the craft of poetry, as discussed in interviews the late Pearl London had with various poets at the New School in Greenwich Village. From Maxine Kumin in 1973 to Eamon Grennan in 1996, the book includes chats she had in class with what is arguably the Who's Who of poetry in the last few decades. (I do not mean it is a comprehensive list of all poets; just that the poets she spoke to are famous poets of the last 40 years: from Robert Pinsky to Louise Gluck to Charles Simic, and Muriel Rukeyser, Robert Hass, Philip Levine, James Merrill, Paul Muldoon, Amy Clampitt,  Stanley Plumly, Nobel laureate Derek Walcott, Li-Young Lee, Edward Hirsch, and many others.)

As you may expect, the book is full of quotable quotes and while I have not taken the time yet to transcribe many of the quotable lines, I felt the urge this morning to write down these lines from the Hirsch interview because it speaks to so much of what poetry is about for me.

"...the idea of alienation. And loss. I believe that that's the beginning of poetry. Poetry begins with alienation, and poetry speaks against our vanishing. The lyric poem in particular seems to me to have the burden and the splendor of preserving the human image in words, as the most intense form of discourse. Poetry speaks about and against loss in its root function. I see the writing of a poem as a desent. The descent is psychological. That which is darkest in human experience. It can be in yourself, it can be in others, it can be in the death of someone you love. It's a descent into the unconscious. You try to unearth something. You try to bring something to the light."

Note: After that question, Pearl London mentions a phrase from one of the poems in Hirsch's first books which inspired the title of this post. The context of "putting the night away" may be different in this lovely nostalgic poem but I am interpreting it here in the context of "putting the night away" and trying to "bring something to the light" with the help of poetry.

Here is the poem, in its entirety:

My Grandmother's Bed by Edward Hirsch
How she pulled it out of the wallTo my amazement. How it rattled andCreaked, how it sagged in the middleAnd smelled like a used-clothing store.I was ecstatic to be sleeping on wheels!
It rolled when I moved; it trembledwhen she climbed under the coversin her flannel nightgown, kissing meSoftly on the head, turning her back.Soon I could hear her snoring next to me-
Her clogged breath roaring in my ears,Filling her tiny apartment like the oceanUntil I, too, finally, swayed and sleptWhile a radiator hissed in the cornerAnd traffic droned on Lawrence Avenue...
I woke up to the color of light pouringThrough the windows, the odor of soupSimmering in the kitchen, my grandmother'sFace. It felt good to be ashore againAfter sleeping on rocky, unfamiliar waves.
I loved to help her straighten the sheetsAnd lift the Murphy back into the wall.It was like putting the night awayWhen we closed the wooden doors againAnd her disappeared without a trace.

October 1, 2010

My Relations with Illusion & Reality

Perusing some of Philip Larkin's poems again, I started reading more about him via Google Books and found this quote, which I really liked.
"The real trouble with me is my relations with illusion & reality. Illusion is poetry, art, love, belief, confidence, and is what you are enthusiastic about. Reality is daily work, illness, death, money, sex, one's actions independent of one's beliefs or fancies, and is impossible to be enthusiastic about."
He also said: "Joy impregnates, sorrow brings forth; perhaps that is the explanation" ...on how his muse demanded that he be in a constant state of privation to be able to write. Or put another way, he said: "life, personally is unhappy: imperssonally it is happy."

Leave you with these lovely lines from Larkin's rather depressing poem, Aubade, which has been lauded as Larkin's almost perfect poem:
And so it stays just on the edge of vision,   
A small unfocused blur, a standing chill   
That slows each impulse down to indecision.   
Most things may never happen: this one will,   
And realisation of it rages out
In furnace-fear when we are caught without   
People or drink. Courage is no good:
It means not scaring others. Being brave   
Lets no one off the grave.
Death is no different whined at than withstood. 

Not one more refugee death, by Emmy Pérez

And just like that, my #NPM2018 celebrations end with  a poem  today by Emmy Pérez. Not one more refugee death by Emmy Pérez A r...