Poets for April 22, 2011 - Donald Hall and Jane Kenyon

Today's poets are: Donald Hall and his wife, Jane Kenyon.

Donald Hall (Born: September 20 1928, Hamden, CT)
Jane Kenyon (Born: May 23 1947, Ann Arbor, MI - Died: April 22 1995, New Hampshire)

Picture via this link.

(Note: I chose today to post about two poets whose love for each other has been celebrated in poetry for a different reason but now notice that coincidentally today is also Jane Kenyon's 16th death anniversary.)

Donald Hall is considered as one of America's leading poets alive today (read Louis Begley's tribute: Among the Thirty Thousand Days: An Appreciation of Donald Hall) and has recently served as U.S. Poet Laureate (2006-07), or as he referred to it in a great interview: the PLOTUS! While I have not read many of his early poems, the first book of poetry by him that I read remains to date the only book of poems that left me weeping! I remember that sometime in the 2001-2003 period, in one sitting, I read his book of poems, 'Without', dealing with the death of his wife, poet Jane Kenyon in 1995. He has since then written another book of poems, 'Painted Bed' as well as a memoir, 'The Best Day the Worst Day: Life with Jane Kenyon' ("a work of art, love, and generous genius" - Liz Rosenberg, Boston Globe), both of which continue to deal with Donald Hall grappling with the same feeling of loss that consumes us after the death of a loved one.

“The true subject of poetry is the loss of the beloved" - from the Urdu poet Faiz, as quoted in an epigraph in 'Painted Bed'

"Love is like sounds, whose last reverberations
Hang on the leaves of strange trees, on mountains
As distant as the curving of the earth,
Where snow still hangs in the middle of the air."
 - Donald Hall (Love is like Sounds)

"Surely the dread of separation has accounted for more than one engagement, and doubtless there are better reasons for getting married—but all marriages start in ignorance and many from need; what matters is what you do after you marry."  - Donald Hall, as quoted here.

Here's five poems by Donald Hall first..

The Painted Bed        
by Donald Hall

"Even when I danced erect
by the Nile’s garden
I constructed Necropolis.

Ten million fellaheen cells
of my body floated stones
to establish a white museum."

Grisly, foul, and terrific
is the speech of bones,
thighs and arms slackened

into desiccated sacs of flesh
hanging from an armature
where muscle was, and fat.

"I lie on the painted bed
diminishing, concentrated
on the journey I undertake

to repose without pain
in the palace of darkness,
my body beside your body."

 

Weeds and Peonies
by Donald Hall

Your peonies burst out, white as snow squalls,
with red flecks at their shaggy centers
in your border of prodigies by the porch.
I carry one magnanimous blossom indoors
and float it in a glass bowl, as you used to do.

Ordinary pleasures, contentment recollected,
blow like snow into the abandoned garden,
overcoming the daisies. Your blue coat
vanishes down Pond Road into imagined snowflakes
with Gus at your side, his great tail swinging,

but you will not reappear, tired and satisfied,
and grief's repeated particles suffuse the air

like the dog yipping through the entire night,
or the cat stretching awake, then curling
as if to dream of her mother's milky nipples.

A raccoon dislodged a geranium from its pot.
Flowers, roots, and dirt lay upended
in the back garden where lilies begin
their daily excursion above stone walls
in the season of old roses. I pace beside weeds

and snowy peonies, staring at Mount Kearsarge
where you climbed wearing purple hiking boots.
"Hurry back. Be careful, climbing down."
Your peonies lean their vast heads westward
as if they might topple. Some topple. 

 

Affirmation   
by Donald Hall

To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.
Let us stifle under mud at the pond's edge
and affirm that it is fitting
and delicious to lose everything.


The Things        
by Donald Hall

When I walk in my house I see pictures,
bought long ago, framed and hanging
—de Kooning, Arp, Laurencin, Henry Moore—
that I've cherished and stared at for years,
yet my eyes keep returning to the masters
of the trivial—a white stone perfectly round,
tiny lead models of baseball players, a cowbell,
a broken great-grandmother's rocker,
a dead dog's toy—valueless, unforgettable
detritus that my children will throw away
as I did my mother's souvenirs of trips
with my dead father, Kodaks of kittens,
and bundles of cards from her mother Kate.

 

White Apples      
by Donald Hall

when my father had been dead a week
I woke
with his voice in my ear
I sat up in bed
and held my breath
and stared at the pale closed door

white apples and the taste of stone

if he called again
I would put on my coat and galoshes

Onto a few poems now from Jane Kenyon:

Otherwise
Jane Kenyon

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

 
Let Evening Come        
by Jane Kenyon

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don't
be afraid. God does not leave us
comfortless, so let evening come.

Happiness      
by Jane Kenyon

There's just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basketmaker,
and to the clerk stacking cans of carrots
in the night.
       It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.

 
Briefly It Enters, and Briefly Speaks        
by Jane Kenyon

I am the blossom pressed in a book,
found again after two hundred years. . . .

I am the maker, the lover, and the keeper. . . .

When the young girl who starves
sits down to a table
she will sit beside me. . . .

I am food on the prisoner's plate. . . .

I am water rushing to the wellhead,
filling the pitcher until it spills. . . .

I am the patient gardener
of the dry and weedy garden. . . .

I am the stone step,
the latch, and the working hinge. . . .

I am the heart contracted by joy. . .
the longest hair, white
before the rest. . . .

I am there in the basket of fruit
presented to the widow. . . .

I am the musk rose opening
unattended, the fern on the boggy summit. . . .

I am the one whose love
overcomes you, already with you
when you think to call my name. . . .

Having it Out with Melancholy    
by Jane Kenyon

    If many remedies are prescribed for an illness, you may be certain that the illness has no cure. - Anton Chekov (The Cherry Orchard)

  1  FROM THE NURSERY

When I was born, you waited
behind a pile of linen in the nursery,
and when we were alone, you lay down
on top of me, pressing
the bile of desolation into every pore.

And from that day on
everything under the sun and moon
made me sad -- even the yellow
wooden beads that slid and spun
along a spindle on my crib.

You taught me to exist without gratitude.
You ruined my manners toward God:
"We're here simply to wait for death;
the pleasures of earth are overrated."

I only appeared to belong to my mother,
to live among blocks and cotton undershirts
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases.
I was already yours -- the anti-urge,
the mutilator of souls.

           2  BOTTLES

Elavil, Ludiomil, Doxepin,
Norpramin, Prozac, Lithium, Xanax,
Wellbutrin, Parnate, Nardil, Zoloft.
The coated ones smell sweet or have
no smell; the powdery ones smell
like the chemistry lab at school
that made me hold my breath.

3  SUGGESTION FROM A FRIEND

You wouldn't be so depressed
if you really believed in God.

           4  OFTEN

Often I go to bed as soon after dinner
as seems adult
(I mean I try to wait for dark)
in order to push away
from the massive pain in sleep's
frail wicker coracle.

5  ONCE THERE WAS LIGHT

Once, in my early thirties, I saw
that I was a speck of light in the great
river of light that undulates through time.

I was floating with the whole
human family. We were all colors -- those
who are living now, those who have died,
those who are not yet born. For a few

moments I floated, completely calm,
and I no longer hated having to exist.

Like a crow who smells hot blood
you came flying to pull me out
of the glowing stream.
"I'll hold you up. I never let my dear
ones drown!" After that, I wept for days.

       6  IN AND OUT

The dog searches until he finds me
upstairs, lies down with a clatter
of elbows, puts his head on my foot.

Sometimes the sound of his breathing
saves my life -- in and out, in
and out; a pause, a long sigh. . . .

           7  PARDON

A piece of burned meat
wears my clothes, speaks
in my voice, dispatches obligations
haltingly, or not at all.
It is tired of trying
to be stouthearted, tired
beyond measure.

We move on to the monoamine
oxidase inhibitors. Day and night
I feel as if I had drunk six cups
of coffee, but the pain stops
abruptly. With the wonder
and bitterness of someone pardoned
for a crime she did not commit
I come back to marriage and friends,
to pink fringed hollyhocks; come back
to my desk, books, and chair.

           8  CREDO

Pharmaceutical wonders are at work
but I believe only in this moment
of well-being. Unholy ghost,
you are certain to come again.

Coarse, mean, you'll put your feet
on the coffee table, lean back,
and turn me into someone who can't
take the trouble to speak; someone
who can't sleep, or who does nothing
but sleep; can't read, or call
for an appointment for help.

There is nothing I can do
against your coming.
When I awake, I am still with thee.

  9  WOOD THRUSH

High on Nardil and June light
I wake at four,
waiting greedily for the first
note of the wood thrush. Easeful air
presses through the screen
with the wild, complex song
of the bird, and I am overcome

by ordinary contentment.
What hurt me so terribly
all my life until this moment?
How I love the small, swiftly
beating heart of the bird
singing in the great maples;
its bright, unequivocal eye.

P.S. To watch some day: 'Donald Hall and Jane Kenyon: A Life Together', an Emmy Award-winning documentary, in which Bill Moyers visited Jane Keynon and Donald Hall at their home in New Hampshire. Per this link, "the ensuing conversation about their careers, their poetry, and their life together are punctuated by readings at the Geraldine R. Dodge Poetry Festival and before a town-hall-style audience of neighbors."